Tag: Ormston House

• Newsletter: April-May 2016

  

  Welcome to eye.on.art special bimonthly newsletter. We finished the last days of April in Yaounde, Cameroon, where Fondation Paul Ango Ela hosted Cameroon’s 2nd Convention on Creative Entreprises and Industries commissioned by the Ministry of Arts and Culture as part of its cooperation with France, in a bid to assess the country’s current cultural landscape,…

  eyonart

  02/05/2016

  Newsletter

  1:54 Contemporary African Art Fair, African Art Book Fair, Dak’Art, EVA International, Françoise Vergès, Kampala Art Biennale, Making Histories Visible, Ormston House

• In conversation with The Otolith Group

  

  Wednesday 11 May 2016, 6:30 – 7:30 pm. Ormston House, Limerick

  eyonart

  02/05/2016

  Aesthetics, Archive, Art criticism, Conferences, Design, Exhibitions, Literature

  Christine Eyene, EVA International, Making Histories Visible, Murder Machine, Ormston House, The Otolith Group

• Murder Machine photo gallery

  Curated by Christine Eyene, Guild Research Fellow in Contemporary Art at the University of Central Lancashire (UCLan) Preston as part of the Making Histories Visible (MHV) project, and developed in collaboration with Ormston House, Murder Machine takes its cue from thoughts and writings by Irish linguist and activist Pádraig Pearse, notably his pamphlet The Murder…

  eyonart

  23/04/2016

  Aesthetics, Archive, Design, Exhibitions, Literature, Performance, Photography, Sound, Urban

  Ceara Conway, Christine Eyene, EVA International, George Hallett, Linda O’Keeffe, Making Histories Visible, Ormston House, Rusangano Family, The Otolith Group