Tag: Christine Eyene

• Murder Machine photo gallery

  Curated by Christine Eyene, Guild Research Fellow in Contemporary Art at the University of Central Lancashire (UCLan) Preston as part of the Making Histories Visible (MHV) project, and developed in collaboration with Ormston House, Murder Machine takes its cue from thoughts and writings by Irish linguist and activist Pádraig Pearse, notably his pamphlet The Murder…

  eyonart

  23/04/2016

  Aesthetics, Archive, Design, Exhibitions, Literature, Performance, Photography, Sound, Urban

  Ceara Conway, Christine Eyene, EVA International, George Hallett, Linda O’Keeffe, Making Histories Visible, Ormston House, Rusangano Family, The Otolith Group

• The beat that’s haunted us ever since

  

  Illustrated version of the essay featured in All Of Us Have A Sense Of Rhythm exhibition brochure, adapted for the MHV Lecture given on Wed. 17 Feb. 2016 at the University of Central Lancashire.

  eyonart

  18/02/2016

  Archive, Exhibitions, Sound

  All of us have a sense of rhythm, Christine Eyene, David Roberts Art Foundation, MHV Lecture Series

• Newsletter: February 2016

    This month we have a number of events linked to the University of Central Lancashire. First off, acclaimed American artist Suzanne Lacy is developing a commission with In-Situ (co-directed by UCLan Fine Art Lecturer William Titley), as part of their In Residence programme in Pendle (Lancashire, England). A project set to involve hundreds of…

  eyonart

  01/02/2016

  Newsletter

  Christine Eyene, David Roberts Art Foundation, EVA International, Koyo Kouoh, Larry Achiampoong, Leila Alaoui, Making Histories Visible, Mark Dion, Suzanne Lacy, UCLan, Venice Biennale