Tag: Making Histories Visible

• MURDER MACHINE

  Ormston House, in partnership with EVA International and Making Histories Visible, is pleased to present Murder Machine a project curated by Christine Eyene in collaboration with Ormston House, featuring Ceara Conway, George Hallett, Linda O’Keeffe, The Otolith Group and Rusangano Family. Education should foster; this education is meant to repress. Education should inspire; this education is meant to tame.…

  eyonart

  04/04/2016

  Aesthetics, Archive, Exhibitions, Literature, Photography

  EVA International, George Hallett, Making Histories Visible, Ormston House, Otolith Group

• Moutoussamy-Ashe & Sulter

  

  Moutoussamy-Ashe & Sulter As part of International Women’s Day (March 8), Oxheys Mill Studios, Preston, presents “Family Album”, rare photographic works by Jeanne Moutoussamy-Ashe and Maud Sulter made in the late 1980s and early 1990s. This showcase is curated by Lubaina Himid who will be in conversation with photographer Ingrid Pollard to discuss this body…

  eyonart

  04/03/2016

  Aesthetics, Archive, Exhibitions, Gender

  Ingrid Pollard, Jeanne Moutoussamy-Ashe, Lubaina Himid MBE, Making Histories Visible, Maud Sulter

• Newsletter: March 2016

  

  This month, all eyes are on New York with the much anticipated Armory Show (March 3-6) and its spotlight on contemporary African art. Entitled African Perspectives, the 2016 Armory Focus curated by Julia Grosse and Yvette Mutumba showcases artists from 14 galleries based in Africa, Europe and the US. The project features Kapwani Kiwanga as…

  eyonart

  02/03/2016

  Conferences, Exhibitions, Gender, Newsletter

  Autograph ABP, Lubaina Himid MBE, Making Histories Visible, Marrakech Biennale, Maud Sulter, Omar Berrada, Paul Goodwin, The Armory Show