Tag: Making Histories Visible

• Archival Matters

  

  Archival Matters Curatorial Practice and the Postcolonial Archive | Christine Eyene and Renée Mussai. The (colonial) archive has, in recent years, received significant critical attention from a number of different quarters. Scholars, curators and artists have taken the archive to task: as a critical site for posing questions about practices of colonial governance, or for thinking about the workings of colonialism and its…

  eyonart

  07/06/2016

  Archive, Conferences, Literature, Photography

  Autograph ABP, Christine Eyene, George Hallett, Making Histories Visible, Renee Mussai

• Curating (in) the City: Christine Eyene

  

  Pavilion and the School of Fine Art History of Art and Cultural Studies, University of Leeds, welcome Christine Eyene for a talk on her curatorial and research practice. This event takes place as part of an on-going series of activities exploring what it means to curate, commission and produce contemporary art in urban cultural centres.…

  eyonart

  13/05/2016

  Aesthetics, Archive, Art criticism, Conferences, Exhibitions, Gender, Sound, Urban

  Christine Eyene, Leeds Art Gallery, Making Histories Visible, Pavilion

• Newsletter: April-May 2016

  

  Welcome to eye.on.art special bimonthly newsletter. We finished the last days of April in Yaounde, Cameroon, where Fondation Paul Ango Ela hosted Cameroon’s 2nd Convention on Creative Entreprises and Industries commissioned by the Ministry of Arts and Culture as part of its cooperation with France, in a bid to assess the country’s current cultural landscape,…

  eyonart

  02/05/2016

  Newsletter

  1:54 Contemporary African Art Fair, African Art Book Fair, Dak’Art, EVA International, Françoise Vergès, Kampala Art Biennale, Making Histories Visible, Ormston House