Tag: George Hallett

• Archival Matters

  

  Archival Matters Curatorial Practice and the Postcolonial Archive | Christine Eyene and Renée Mussai. The (colonial) archive has, in recent years, received significant critical attention from a number of different quarters. Scholars, curators and artists have taken the archive to task: as a critical site for posing questions about practices of colonial governance, or for thinking about the workings of colonialism and its…

  eyonart

  07/06/2016

  Archive, Conferences, Literature, Photography

  Autograph ABP, Christine Eyene, George Hallett, Making Histories Visible, Renee Mussai

• Murder Machine photo gallery

  Curated by Christine Eyene, Guild Research Fellow in Contemporary Art at the University of Central Lancashire (UCLan) Preston as part of the Making Histories Visible (MHV) project, and developed in collaboration with Ormston House, Murder Machine takes its cue from thoughts and writings by Irish linguist and activist Pádraig Pearse, notably his pamphlet The Murder…

  eyonart

  23/04/2016

  Aesthetics, Archive, Design, Exhibitions, Literature, Performance, Photography, Sound, Urban

  Ceara Conway, Christine Eyene, EVA International, George Hallett, Linda O’Keeffe, Making Histories Visible, Ormston House, Rusangano Family, The Otolith Group

• Murder Machine: launch event

  

  Ormston House, in partnership with EVA International and Making Histories Visible, is pleased to present Murder Machine a project curated by Christine Eyene in collaboration with Ormston House. Murder Machine features Irish and international multidisciplinary artists Ceara Conway, George Hallett, Linda O’Keeffe, The Otolith Group and Rusangano Family for an interactive display and a series…

  eyonart

  06/04/2016

  Aesthetics, Archive, Exhibitions, Literature, Performance, Photography, Sound, Urban

  Ceara Conway, EVA International, George Hallett, Linda O’Keeffe, Making Histories Visible, Ormston House, Rusangano Family, The Otolith Group