An exhibition featuring Ceara Conway, George Hallett, Linda O’Keeffe, The Otolith Group and Rusangano Family. Curated by Christine Eyene at Ormston House, Limerick (Ireland) as part of EVA International 2016, Ireland’s Biennial of Contemporary Art entitled Still (the) Barbarians, curated by Koyo Kouoh.
See here for more information on the project.
Photo: eye.on.art.
D. M. Zwelonke, Robben Island. Published by Heinemann, African Writers Series. Book cover by George Hallett. Photo: eye.on.art.
George Hallett, The creation of a book cover. London, 1972. Photo: eye.on.art.
Installation in progress at Ormston House. Photo: eye.on.art.
Installation of works by George Hallett. Photo: eye.on.art.
George Hallett’s selected work installed. Photo: eye.on.art.
A selection of books for the vitrine. Photo: eye.on.art.
Selected books in vitrine. Including covers by George Hallett, writing by Dambuzo Marechera, poetry by James Matthews, pieces selected by Richard Rive, and books on the Soweto Uprising with images by Sam Nzima and Peter Magubane. Photo: eye.on.art.
Books in vitrine. Photo: eye.on.art.
The posters have arrived. Photo: eye.on.art.
The Otolith Group, One out of many Afrophilias (2014), detail of installation. Photo: eye.on.art.
The Otolith Group, One out of many Afrophilias (2014), detail of installation. Photo: eye.on.art.
The Otolith Group, One out of many Afrophilias (2014), detail of installation with curator Francois Larini. Photo: eye.on.art.
The Otolith Group, One out of many Afrophilias (2014), detail of installation with curator Francois Larini. Photo: eye.on.art.
The Otolith Group, One out of many Afrophilias (2014), detail of installation with curator Francois Larini. Photo: eye.on.art.
First visitor. Photo: eye.on.art.
Visitors arriving for the launch of Murder Machine. Photo: eye.on.art.
Visitors at Murder Machine opening. Photo: eye.on.art.
Visitors in front of George Hallett’s work. Murder Machine opening. Photo: Shane Serrano.
Visitors at Murder Machine opening. Artist Mary Evans in the foreground. Photo: eye.on.art.
Visitors at Murder Machine opening. Photo: eye.on.art.
Visitors looking at the display of Transition magazines in The Otolith Group’s installation One out of many Afrophilias. Murder Machine opening. Photo: eye.on.art.
Visitors looking at the display of Transition magazines in The Otolith Group’s installation One out of many Afrophilias. Murder Machine opening. Photo: Shane Serrano.
Visitors looking at the display of Transition magazines in The Otolith Group’s installation One out of many Afrophilias. Murder Machine opening. Photo: Shane Serrano.
Visitor at Murder Machine opening. Photo: Shane Serrano.
Visitors at Murder Machine opening. Photo: Francois Larini.
Visitors reading copies of Transition magazines, part of The Otolith Group installation. Murder Machine opening. Photo: Shane Serrano.
Visitors reading copies of Transition magazines, part of The Otolith Group installation. Murder Machine opening. Photo: Shane Serrano.
Visitor reading a copy of Transition magazines, part of The Otolith Group installation. Murder Machine opening. Photo: Shane Serrano.
A copy of Transition magazines, part of The Otolith Group installation. Murder Machine opening. Photo: Shane Serrano.
Visitor reading a copy of Transition magazines, part of The Otolith Group installation. Murder Machine opening. Photo: Shane Serrano.
Visitor reading a copy of Transition magazines, part of The Otolith Group installation. Murder Machine opening. Photo: Shane Serrano.
Visitors reading copies of Transition magazines, part of The Otolith Group installation. Murder Machine opening. Photo: Shane Serrano.
Visitors reading copies of Transition magazines, part of The Otolith Group installation. Murder Machine opening. Photo: Shane Serrano.
Visitors reading copies of Transition magazines, part of The Otolith Group installation. Murder Machine opening. Photo: Shane Serrano.
Murder Machine opening. Photo: Shane Serrano.
Visitors gathered for the opening speeches by Koyo Kouoh, curator of EVA International 2016, Mary Conlon, co-director of Ormston House, and Christine Eyene, curator of Murder Machine. Photo: Shane Serrano.
Visitors gathered for the opening speeches by Koyo Kouoh, Mary Conlon and Christine Eyene. Photo: Shane Serrano.
Murder Machine curator Christine Eyene giving an exhibition tour. Photo: Shane Serrano.
Visitors gathered for the opening speeches by Koyo Kouoh, Mary Conlon and Christine Eyene. Photo: Shane Serrano.
Artists Godfried Donkor and Tracey Rose. Photo: Shane Serrano.
Before Ceara Conway’s performance. Photo: Shane Serrano.
Audience being blindfolded for Ceara Conway’s immersive performance. Photo: Shane Serrano.
Audience being blindfolded for Ceara Conway’s immersive performance. Left: Woodrow Kernohan, director of EVA International. Photo: Shane Serrano.
Audience being blindfolded for Ceara Conway’s immersive performance. Photo: Shane Serrano.
Ceara Conway performing her new piece DUBH, to a blindfolded audience. Photo: Shane Serrano.
Member of audience during Ceara Conway’s performance. Photo: Shane Serrano.
Children, during Ceara Conway’s performance. Photo: Shane Serrano.
Dj Deviant, producer of Ceara Conway’s performance DUBH, with his drone machine. Photo: Shane Serrano.
Dj Deviant during Ceara Conway’s performance. Photo: Shane Serrano.
Dj Deviant during Ceara Conway’s performance. Photo: Shane Serrano.
Members of the audience during Ceara Conway’s performance. Photo: Shane Serrano.
Member of the audience during Ceara Conway’s performance. Photo: Shane Serrano.
End of performance. Photo: Shane Serrano.
End of performance. Photo: Shane Serrano.
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