The 54th International Art Exhibition of the Venice Biennale was directed in 2011 by Bice Curiger.
Bice Curiger is an art historian, critic and curator of international exhibitions. Her curatorial activity at Kunsthaus Zurich parallels her important work in the publishing sector. In 1984, she cofounded the prestigious art magazine “Parkett”, of which she is editor-in-chief. She has been publishing director of London Tate Gallery’s magazine “Tate etc” since 2004.
Curator’s statement:
“What is a Biennale? What kind of audience can be counted on? What is the role of the curator? By adopting the title ILLUMInations the 54th International Art Exhibition of the Venice Biennale also aspires literally to shed light on the institution itself, drawing attention to dormant and unrecognized opportunities, as well as to conventions that need to be challenged. ILLUMInations points to light, a classical theme in art that closely relates to Venice. Equally, by accentuating its spurious suffix “nations”, its semantic scope is not only broadened to embrace the real world and socio-political dimensions, but it also highlights the distinctive character of the Venice Biennale with its national pavilions. Far removed from culturally conservative constructs of “nation”, art offers the potential to explore new forms of “community” and negotiate differences and affinities that might serve as models for the future. […]
Haroon Mirza, The national apavilion of then and now, 2011. Installation, 3 sided triangle structure, each side length 809) – Anechoic chamber, LED’s amp, speakers, electronic circuit.
Haroon Mirza, The national apavilion of then and now, 2011
Navid Nuur, HIVEWISE (detail), 2007-2011. Installation with neons
One of the two Haiti Pavilions, three sculptures installed in a container.
French Pavilion: Christian Boltanski, Chance. Curated by Jean-Hubert Martin.
Christian Boltanski, Chance (detail)
Christian Boltanski, Chance (detail)
Christian Boltanski, Chance (detail)
Remdoogo sign
Conversation around the collaboration between Francis Kéré and the late Christoph Schlingensief on the Opera Village – Remdoogo, at the German Pavilion. With Francis Kéré, Aino Laberenz, Chris Dercon, Simon Njami and Susanne Gaensheimer.
Henrike Grohs, Francis Kéré, Katharina von Ruckteschell, Simon Njami.
Video in the Remdoogo project installation
Ahmed Basiony, Egypt Pavilion
Ahmed Basiony, Egypt Pavilion
British Pavilion, Mike Nelson, I: IMPOSTOR, 2011. Installation (detail).
Mike Nelson, I: IMPOSTOR (detail).
Mike Nelson, I: IMPOSTOR (detail).
Mike Nelson, I: IMPOSTOR (detail).
Mike Nelson, I: IMPOSTOR (detail).
Mike Nelson, I: IMPOSTOR (detail).
South African Pavilion, work by Mary Sibande.
Work by Mary Sibande.
Work by Mary Sibande.
Work by Siemon Allen (detail).
Work by Siemon Allen (detail).
Curator Raphael Chikukwa at the Zimbabwe Pavilion.
Video work by Berry Bickle.
Work by Tapfuma Gutsa.
Work by Tapfuma Gutsa.
Work by Tapfuma Gutsa.
Venice Biennale Jury visiting the Zimbabwe Pavilion with Hassan Khan, President of the Jury, in the foreground.
Work by Misheck Masamvu.
Work by Tapfuma Gutsa.
Work by Tapfuma Gutsa.
Work by Calvin Dondo.
Working for Change. Project for a Moroccan Pavilion, curated by Abdellah Karroum
Working for Change. Project for a Moroccan Pavilion.
Working for Change. Project for a Moroccan Pavilion.
Working for Change. Project for a Moroccan Pavilion, work by Batoul Shimi.