Selected essays

Christine Eyene, “Plain, beautiful, and a language that speaks” in “Wolfgang Tillmans: Fragile“. Berlin: Ifa, 2018.

—“George Hallett: the making of an archive” in Berit Fischer, Kerstin Pinther, and Ugochukwu-Smooth Nzewi (eds.), New Spaces for Negotiating Art (and) Histories in Africa. Berlin: Lit Verlag, 2015.

— “Under Layers of Clothes – Mary Sibande”. Johannesburg: Gallery MOMO, 2014.

— “Yearning for Art: exile, aesthetics and cultural legacy”, in Lize Van Robbroeck (ed.), Visual Century – South African Art in Context.  Volume 2: 1945-1976. Johannesburg: Wits University Press, 2011, p. 96-119.

— “Gavin Jantjes, Freedom Hunters (1976). Subtexts and intertwined narratives”, in Outi Remes and Pam Skelton (eds.), Conspiracy Dwellings. Surveillance in Contemporary Art. Cambridge: Cambridge Scholars Publishing, 2010, p. 51-65.

— “Past Virginity: Women, Sexuality and Art”, in Bisi Silva (cur.), “Like a Virgin: Lucy Azubuike and Zanele Muholi”. Lagos: Centre for Contemporary Art, 2009, p. 22-27.